Archive for May, 2007

Writing Division – May 2007 Graduates

Posted by soarats on May 18th, 2007

Congrats to each of you!
– Soarats.org crew

To All School of the Arts Students, Faculty and Staff:

The School of the Arts takes pride in presenting the list of its May 2007 graduates, who, as of Wednesday, May 16, having met or surpassed the requirements of their respective programs, have thereby been awarded the Master of Fine Arts degree from the Columbia University School of the Arts.

Congratulations to all these students.  We wish them success in all their future endeavors.  Should you be in contact with one or more of them, please take a moment to acknowledge their hard work and to wish them well.

Writing Masters of Fine Arts:

S. Kolt Beringer
Catherine L. Despont
John Ira Ebersole
Zoe Ilana Finkel
Devon Michael Gallegos
Michael Kern Johnson II
James Thomas Keane
Robin Elizabeth Kirman
Charlene Yu-Jean Kwon
Kara Beth Levy
Amanda Joy McCormick
Benjamin Michael Miller
Jacob Edward Osterhout
Yvette Jazmin Siegert
Lytton Jackson Smith
Jessica Danielle Stiles
Stephanie Lynn Taylor
Betony Elizabeth Toht
Alexander Isaac Waxman
Helene Deborah Wecker

A Poetry Scaffold for Prose Writers

Posted by Matt on May 16th, 2007

Yes, this is a bizarre exercise, but it fits with a couple of messages I’ve been getting from Writing Division folks over this past year — and what better time to explore the bizarre and non-urgent than after the semester is complete.

So the purpose of this discussion — to be held in the Soarats Forums that you can reach by following the link at the bottom of this blogpost — is to brainstorm a scaffolded list of books of poetry/poets/poems that prose writers might read to feel a bit more native in the wilderness of non-prose.

By a “scaffold” I refer to its pedagogical rather than execution sense: a prose writer/reader might want to start reading some of the poets in Column A (Anne Carson, Luis Glück, TS Eliot, Pound, Larkin, etc.) as a means of getting the background to tackling Column B (Michael Palmer, Jacques Roubaud….), eventually reaching Column Z (John Ashbery or someone). There are a number of highways and bi-ways — New York School, language-poets (do they still have those), etc. — so this discussion will generate different kinds of lists with specific purposes. (What order of John Ashbery books to read, what order of Pound’s Cantos to read, a chronological list of poems to prove that the language poets deserve a negative or positive reaction, etc.)

This is also of course an evangelical opportunity for the poets — you’ve been hording the good stuff and us prose-emphasizing readers/writers are eager to climb up the mountain for your sage advice. It is safely assumed that a good poet can tackle reading — and writing — sophisticated prose, but many of us prose folks are flummoxed when we try to read poems in the same darned literary magazines our stories, essays, etc appear in (or at least aim that they appear).

This entire discussion emerges from this comment (and I’ll leave it anonymous for now):

“I read poetry in college — TS Eliot, Pound, Keats, Wordsworth, Coleridge, etc. — but now I pick up a good literary magazine and take a look at a poet who has been getting a lot of attention, and I feel like I haven’t learned how to read this stuff.” (Anonymous)

And just to get this out of the way, go ahead and point at me and laugh and say “that guy doesn’t understand poetry/what an un/sophisticate” so we don’t waste any more energy talking trash.

So click below and go crazy.